“I know what I like” is one of the most common refrains from someone reluctant to try an unfamiliar wine. On one level it makes sense – why risk paying for something that might disappoint when familiar favourites are readily available. But on a deeper level it limits our experience and denies us new pleasures. It is not so much that “we know what we like”, rather as my good friend Graeme always says, “we like what we know”.
How can we expand our knowledge, and so, our world of pleasure, when it comes to wine? Of course, one way to do it is to take opportunities to “taste” new varieties without having to purchase a full glass or bottle. This might be at a winery cellar door, or a tasting organised by the local wine shop. Okay, that limits the risk in terms of buying something I might not like. But how can I positively move from what I know I like to something I might also like but am not familiar with?
The following is to help you answer that question. We will work through some popular wine varieties and styles that might be among your favourites – and suggest an alternative that might have similar characteristics as well as some points of difference. Let’s start with New Zealand (Marlborough) Sauvignon Blanc, described by no less than Oz Clarke as “a smashing drink”, with its zingy lime zest passionfruit flavours edged with green capsicum and smelling of crushed blackcurrant leaves. And yes, there are wide variations from this style available, both regional and from winemaking, but if classic Marlborough Sauvignon Blanc is your thing and you’d like to branch out, what should you try?
My suggestion would be Albarino. This most fashionable of Spain’s white wine varieties is grown in the humid climate of Rias Baizas and across the border in Portugal where it is known as Alvarinho, but there are good examples to be found in the U.S, particularly in California, Oregon and New York, as well as in New Zealand and Australia. Typically, Albarino is light and zesty with grapefruit and lemon flavours edged with an attractive saltiness, but when riper it also gives white peach and yellow plum. If you love the crisp freshness of Sauvignon Blanc you might find these same qualities with a flavour profile different but still adjacent to your familiar ones. Some great examples readily available in New Zealand include: Yealands Estate 2025 Single Vineyard Marlborough Albarino, Sileni 2024 Advocate Hawkes Bay Albarino, Mt Riley 2024 Marlborough Albarino and Misty Cove 2024 Landmark Gisborne Albarino.
Alongside members of the Anything But Chardonnay (ABC) “club” I frequently meet people who are staunch defenders of big rich buttery styles of Chardonnay. Typical flavours include ripe yellow peaches, perhaps some pineapple as well in riper styles with lashings of vanilla and toast, oak and buttery popcorn from malolactic conversion, and definitely nutty aromas and flavours as well. Remembering that our challenge is to extend our palate rather than simply replicate the variety and style we love I’d suggest a couple of alternatives. First would be a Rhone Style White, based on Marsanne (in the Northern Rhone) or Roussanne (in the Southern Rhone) and some excellent examples are to be found in Australia’s Barossa Valley. Marsanne tends to have a slightly mineral and bitter edge but when properly ripe comes with a blend of grapefruit and peach flavours which mature into notes of apricot, quince, honey and nuts. Often aged in oak, it also tends to have a distinct oiliness which in good examples adds to the palate richness. Some of the finest examples come from the Northern Rhone’s St Peray, or from Hermitage, the latter usually more expensive. Tahbilk and Turkey Flat produce good and more affordable examples in South Australia and Trinity Hill in New Zealand’s Hawkes Bay also produce a nice example, this time blended with Viognier.
Viognier, sometimes blended with Marsanne would be my second to try, particularly if you find you dislike the slightly herbal and bitter edge of Marsanne. What Viognier has to offer is the palate weight, softness and richness of big Chardonnay – without the oak. At it’s best, and the benchmark for this variety is also in the Northern Rhone in one very small appellation called Condrieu, it offer rich apricot fruit, the texture of crème fraiche, and heady floral aromas of honeysuckle, jasmine and lily of the valley. BUT Viognier, and Condrieu in particular, typically undergoes a U-shaped development trajectory. In its youth those wonderful aromatics dominate and many feel this is the best time to drink it, in its first year. At two or three years old those aromatics tend to dissipate and often the wine goes through a “dumb” phase from which cheaper examples will not emerge. But the best emerge at around five or more years with a rich melange of apricot, honey and spice, and can easily go for ten. The great exponents of Condrieu include Cuilleron, Guigal, Gaillard, Rene Rostaing and Vernay. Fine examples are also to be found outside Condrieu, particularly in the US State of Virginia from Barboursville or Horton, in South Australia from Yalumba, Canberra (Clonakilla) and West Australia (Stella Bella). New Zealand has two excellent examples in Millton Riverpoint Gisborne Viognier and Te Mata Zara Hawkes Bay Viognier.

Jean Michel Gerin La Champine Viognier
Now and again I meet a lover of Riesling, less frequently someone who loves all of the incredible range of wines this wonderful grape can produce. Mostly, people who enjoy off-dry expressions which combine racy mineral acidity with the perceptible sweetness that makes these wines a great companion to Thai food, as well as duck or even smoked fish. The best of these wines have purity, elegance and linear focus, and those who really begin to explore the range of Rieslings will inevitably discover that Riesling is one of those grapes that expresses where it is grown like no other. The fruit flavours vary with origin: in Australia and New Zealand, ripe zesty lime often dominates but apple or peach flavours are not uncommon, on slate soils a smoke and spice character can be present and riper wines may also have distinct notes of apricot. The benchmark for off-dry but elegant, even delicate Riesling is German Spatlese which gets better with age, developing notes of honey and spice along with a characteristic petrol aroma.
Let’s try off dry Chenin Blanc as an alternative. Like Riesling, Chenin Blanc is a high acid grape, but the acidity is a little rounder in mouthfeel, both carry residual sweetness with a lightness and elegance on the palate. The aromatics and flavour profile of Chenin Blanc tends more to apple, quince and pear than the citrus and peach of Riesling, and as Chenin Blanc ages, rather than petrol aromas it develops a distinct lanolin waxiness alongside its honeyed richness. The challenge is to find a good one. The benchmark for off-dry Chenin Blanc is Vouvray – Domaine Huet, Clos Naudin or Marc Bredif come immediately to mind, or across the river to Montlouis sur Loire for Taille aux Loups. Outside of the Loire Valley, the bulk of Chenin is lacklustre. It is still the most widely planted grape in South Africa but until the 1990s was in decline with much of it being distilled. However, a resurgence of interest, particularly in some of the old vines has seen some exciting wines emerge. Most of these are considered dry rather than off-dry but still have some residual sweetness and can feel off-dry because of the ripe fruit and glycerol. Good producers include the Sadie Family, Ken Forrester, DeMorgenzon and Mullineux. There are only a few examples to be found in New Zealand, but these tend to be rather good, the Millton Te Arai Chenin Blanc particularly, Astrolabe and Forrest produce decent examples and look for Nga Waka to join Margrain from the Martinborough region. Most California Chenin is ordinary at best, grown in sites that are too hot, but the Chappellet Napa Valley Old Vine is worth a try.

Marc Bredif 2014 Vouvray Classic, an off-dry Chenin Blanc
Pinot Noir is a much-loved red variety for its light to medium body, crunchy cherry and raspberry fruit and silky tannins. Despite its reputation as a “difficult” grape, good examples are almost ubiquitous. Outside of its Burgundy home where the best wines are eye-wateringly expensive, decent, more affordable Pinot Noir is increasingly produced in Alsace where a combination of global warming and at last reduced cropping is seeing some serious Pinot emerge where the wines were once little more than heavy Rose. German and even Swiss exemplars are numerous and in the New World good Pinot Noir is not hard to find. There is such a wide range of expressions I dare say there are sufficient variations to satisfy a desire for endless variation – but from Pinot Noir what else might I try?
How about Gamay? Like Pinot Noir, Gamay Noir also originates in Burgundy, and while bulk produced Beaujolais Nouveau using carbonic maceration led in the past to a poor reputation, the best, traditionally vinified Cru Beaujolais have often been mistaken for Pinot Noir due to their depth and finesse in blind tastings. Like Pinot Noir, Gamay is typically light-bodied with high acidity and soft light tannins. But where Pinot Noir trends toward earthiness – think mushroom and forest floor, Gamay tends to be both more floral and mineral, with aromas of violets, peonies and sometimes roses which like the aromas of Pinot Noir need a large globe type glass to fully express. Its fruit flavours overlap somewhat with those of Pinot (cherry and raspberry) but with more strawberry and red plum and the even softer tannin structure often makes Gamay a wine eminently suitable for chilling. Unfortunately, outside of the Beaujolais crus, Gamay is not widely grown. There are some excellent producers in New Zealand’s Hawkes Bay, notably Te Mata and Easthope as well as in Central Otago, such as Mt Edward and Te Kano Land Series. Canada also has a few good examples notably in Niagara (Mailovire Wismer-Foxcroft and Balcheder Bai Xu) and Okanagan (eg Blue Mountain Estate). Neither of the two so-called Gamay grapes in California – what until 2007 was called Gamay Beaujolais and Napa Gamay are actually Gamay. The former was just a poor clone of Pinot and Napa Gamay is now known to be Valdigue.
Nerello Mascalese might also be worth a try, particularly where it is grown on the higher slopes of Mt Etna. Like Pinot, Nerello Mascalese is a thin-skinned grape giving a pale ruby colour to the wine, and a light to medium body. Both have relatively high acidity and fine-grained tannins but those of Nerello Mascalese are firmer. Both tend to cherry fruit flavours but those of Nerello have a characteristic sour edge, and while both have earthy elements those of Nerello are more herbal and resonant of volcanic ash rather than forest floor as in Pinot. Both varieties pair well with similar foods featuring mushrooms, truffle, game birds. Where the sensuality of Pinot Noir might be likened to ballet, the sensuality of Nerello Mascalese is more like flamenco, more intense and brooding. For examples see my earlier blog on this variety, Nerello Mascalese: Hero grape of Mt Etna – Wineinsights Weekly Blog.

With a glass of Nerello Mascalese in a Catania Wine Bar
The stereotypical first red-wine love for many Americans is of course Cabernet Sauvignon. The powerhouse of the red wine world and most widely planted red grape variety, Cabernet Sauvignon can vary greatly depending particularly on the climate where it is grown as it is late ripening and tends to green notes of methoxypyrazine if not fully ripened. Typically full-bodied, its signature fruit aroma and flavour is blackcurrant, often accompanied by plum and dark berries with secondary notes of pencil shavings, tobacco and depending on the new oak percentage, vanilla. The left bank of Bordeaux remains its practical and spiritual home, where it typically has varying but lesser proportions of Merlot, Cabernet Franc and Petit Verdot in the final blend, but the Californian Napa Valley may be considered the usurper for the throne. Great examples are produced throughout the world – the Super-Tuscans in Italy, in Australia’s Coonawarra and Margaret River, in Chile and Argentina, in South Africa and even in New Zealand’s Gimblett Gravels and Waiheke island.
Malbec represents one readily available (and often cheaper!) alternative. Originating in the Cahors region of SW France where it was traditionally known as Cot, Malbec was once widely planted in Bordeaux for blending with Cabernet, but its popularity declined after a devastating frost in 1956 destroyed many of the vines. Malbec from Bordeaux was introduced to Argentina in the mid-1800s and there found its spiritual home in the high altitude vineyards of Mendoza where it thrived in the intense sunlight, cool nights and rocky soils. 75% of the world’s Malbec is now produced in Argentina where it produces plush medium to full-bodied, floral and fruit-forward wines with softer tannins than a typical Cabernet. The fruit profile is more black cherry, blueberry and Doris plum with cocoa, black pepper and smoke more evident than the pencil shavings and tobacco of Cabernet. There are plantings of Malbec outside of Argentina and Cahors, notably in Chile but also some in California, Washington State, South Australia and New Zealand but Argentinian Malbec is in such good supply and at various quality and price points, it is the logical first choice for experiment. Some notable producers include Alta Visa, Catena Zapata, Achaval Ferrer, Bodegas Fabre, and Zuccardi to name a few.

Catena 2019 Mendoza Malbec
The first red wine love for many Australians, and not a few New Zealanders, is Australian warm-climate Shiraz. It’s the same grape as Syrah, originating in the Northern Rhone but has become the most planted red variety in Australia and found its new spiritual home in the South Australian Barossa Valley. It produces typically medium to full-bodied wines with plush tannins, velvety mouthfeel and ripe sometimes jammy black and blue fruits such as blackberry, blueberry, Doris plum and Dawson cherry, underpinned with black pepper, clove and brown cooking spices, often with a slightly eucalyptus edge and frequently with vanilla or coconut oak influence – the latter stemming from the common practice of aging in American oak.
Shiraz is often a blending partner in a Southern Rhone styled blend known as GSM which signifies Grenache, Syrah and Mourvedre, or as they are known in Australia Grenache, Shiraz and Mataro. Either Grenache or Mataro might make an excellent divergence from Shiraz to explore. That hero of Southern Europe, Grenache, or Garnacha as it is known in Spain, might be considered the lighter alternative to Syrah. Or perhaps not. Those deceptively lighter tannins hide a high alcohol profile – in Chateauneuf du Pape 16% is now usual and 17% not uncommon. It will sweep you along with its delicious warm climate fruit flavours of ripe strawberries, raspberries cherries, garrigue herbs and olive tapenade. Oz Clarke once described it as “the wild wild woman of wine, the sex on wheels and devil take the hindmost”, but beware the sting in the tail. It’s the major partner not only in the Southern Rhone reds, but also in the great wines of Priorat. But as the major grape through much of Spain it’s generally best drunk young unless blended with something else to give more ageability and backbone. Old vine Grenache has emerged as an award-winning single varietal wine in South Australia more recently and is well worth a try.

Turkey Flat Barossa Grenache
The other GSM blending partner, Mourvedre (in Spain Monastrell) or Mataro as it is known in Australia, is also worth a try on its own. It has similar weight and intensity to Barossa Shiraz but offers more earthy and gamey notes versus the fruit and spice of Shiraz. The fruit is generally of blackberry character, the garrigue herb note is omnipresent and the tannins are firmer than in Shiraz. With age, the gamey notes tend more leathery. It’s not an easy variety to grow, requiring plenty of hot sun but also needing damp feet, a difficult to achieve combination. Decently quaffable, more fruity styles of the variety have emerged in the Spanish regions of Jumilla and Yecla such as the Bodegas Barahonda Dumeute Classic from Yecla which has blackberry, plum and balsamic spice with soft fleshy tannins. Bandol in the South of France produces some powerful Mourvedre dominant wines that are structured and age-worthy, such as Domaine Tempier Bandol Rouge, a blend of around 80% Mourvedre with Grenache and Cinsault, featuring black cherry, garrigue and leather with gamey notes, firm tannins and a saline minerality. Meanwhile in Australia, ancient Mataro bush vines are increasingly revered and single varietal wines are emerging. Most notable is Dean Hewitson’s Old Garden Mourvedre from vines planted in 1853. The warm growing conditions of Paso Robles in California also produce some dark, rich fruited and beefy Mourvedre.
These are just a few suggestions for popular preferences. They may not be your preferences. Learning a lexicon for wine description that enables you to articulate the wine qualities that you enjoy in common wine parlance can provide a good basis for deciding, based on label descriptions or wine reviews, whether another wine variety might appeal to your tastes. Don’t just stick to what you “know” you like. There is an almost infinite range of flavour nuances in the world of wine to enhance your pleasure.
If you enjoyed this weekly blog, subscribe to get them free in your email by using the contact form or simply emailing info@wineinsights.org. And of course, if you ever visit New Zealand and would like to gently broaden your palate in the company of a professional wine guide, I am at your service!
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